FP4+


Until now I have been using whatever film (within reason) came to hand out of my fridge. I have a dedicated fridge that is full of film that I have acquired over the past two years or so, and for black and white work I have mainly been using Ilford FP4, SFX and HP5+.
I wanted some consistency with the film that I use and had narrowed my favourite down to HP5 and FP4. I am getting low on both, and the rolls that I have of each stock are either almost expired or I am unsure how they have been kept before I got them. Or both. I have had good results with both films but I made the decision to stock up on FP4+ rather than HP5. I have achieved good results in the past both pushing and pulling both stocks of film – rating the film at an either higher or lower ISO to compensate for ambient light levels and developing accordingly – but I chose FP4 because natively it is an ISO125 film. For my pinhole work the lower ISO is more appropriate, and if I am not using it in a pinhole camera and I need to I can rate it at anything up ISO1600 with no real issues. I bought 20 rolls of 120 format, with the intention that a lot of that will be used on the trip to Mull to make the work that this reflective journal is leading towards.

I also bought 100ft of bulk 35mm to load into cartridges. This works out to be about £2.50 per roll which is much better for me financially that buying individual rolls when I can load it myself with my bulk loaders.